Musicians, new musical instruments, and new European rhythms arrived in Rio de Janeiro and were immediately accepted by society. John VI loved the arts and his son, Dom Pedro I, who would succeed his father as the emperor of Brazil in 1822, was a musician and composer. As a direct consequence, the city of Rio de Janeiro underwent unprecedented changes, both urban and cultural. Upon arriving in Rio de Janeiro in March 1808, John VI found the colonial capital to be too decadent and initiated an overhaul of the city in every aspect: sanitation, street paving, new hospitals, universities, banks, military defense, the mint, the press, libraries, theaters, everything was modernized or created with the installation of the Portuguese court in the capital. Lundu and Batuque: rhythms created by Brazilian-African descendants.Modinha, or sentimental song, named by many as the first musical genre born in Brazil and the root of the creation of many other musical styles.In any case, we’re talking about thousands of people in the ranks of Portuguese society-noblemen, military, doctors, engineers, artists, musicians…people who would be responsible for forging a new trajectory in Brazilian society, and particularly in music and the arts.īut what was the context of popular music in 1808 when the Portuguese Crown arrived in Brazil?Īlthough no formal records exist from their inception, colonial Brazil at the end of the 18th century already had its own rhythms and popular music genres, among which the most notable were: In his book “1808”, Laurentino Gomes estimates this number to be between 10,000 and 15,000 people. Estimates typically place the limit at 15,000 people, which would be the maximum capacity of passengers per ship multiplied by the total number of ships in the fleet. The number of people of the Portuguese Crown that actually joined this escape trip to Brazil is still disputed. This relationship between the two nations even brought about some expressions in Brazilian culture, namely “é só para inglês ver,” which translates to “for British eyes only.” In fact, Portugal and England have a long-standing tradition of cooperation that can be traced back to 1373 with the Anglo-Portuguese Treaty, the oldest active treaty in the world. So John VI fled to Brazil, escorted by the British Royal Navy. The transfer of the Portuguese Court to Brazil had already been planned years in advance. Vasco Mariz, in, tells us that the invasion came as no surprise to the Portuguese crown. The expansion of Napoleon’s empire in the beginning of the 19th century directly impacted Portugal in 1807, when Napoleon began his invasion of the country as its Prince Regent John VI refused to join Napoleon’s empire. But Rio de Janeiro, despite being the capital, was a decadent city and would continue being so until the arrival of the Portuguese Court, fleeing from Napoleon Bonaparte’s invasion, in 1808. Brazil’s colonial capital was initially Salvador (1548) and in 1763 it was changed to Rio de Janeiro. But how so?īrazil was discovered in the year 1500 and colonized by Portugal, in contrast to other countries in Latin America which were colonized by Spain. Yamko Rambe Yamko arranged by Jubing Kristianto Classclef is completely FREE but we won't say no to kind donations.⇧ top A little history on Brazilian music.Īs unbelievable as it may seem, Napoleon Bonaparte is actually linked to how Brazilian music came into being, or at the very least, to the rate at which everything happened.Suite del Plata No 1 (Candombe) by Maximo Diego Pujol (Guitar Tab).Opus 39 No 10 Mazurka (Bream) by Pyotr Ilyich Tchaikovsky (Guitar Tab).BWV 1056 Largo by Johann Sebastian Bach (Guitar Tab).
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